The central tenants of Steven Brekelmans’ artistic practice pose questions about labour, value, locale and art history. He has been working with ceramics for nearly ten years, first through the incorporation of found ceramic objects in his installations. Following his graduate study, he honed his interest in this medium and its histories and learned how to throw, build and fire ceramics. The laborious process of mastering these skills underscores the entire conceptual basis of Brekelmans’ practice; through his work, he addresses his own efforts to realize art as a profession and explores what it means to have a “hobby” art practice, a category often used to define studio pottery.
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